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Sarmiento and his band were always experimenting with fusions, but it’s clear that by the late 60s, Latin music coming from New York and other hot spots like San Juan, Lima and Caracas had taken hold and transformed indigenous costeño styles permanently, and Michi and his ‘bravos’ were in the forefront of this cultural shift.

Michi Sarmiento y su Combo Bravo Biography Gallery
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