{"id":43608,"date":"2020-08-03T09:21:18","date_gmt":"2020-11-03T10:46:03","guid":{"rendered":"https:\/\/munster.creando.net\/producto\/kabwlu\/"},"modified":"2020-11-03T10:46:06","modified_gmt":"2020-11-03T10:46:06","slug":"kabwlu","status":"publish","type":"product","link":"https:\/\/munster-records.com\/en\/producto\/kabwlu\/","title":{"rendered":"Kabwl\u00fa"},"content":{"rendered":"<p>While Discos Fuentes was known for recording all sorts of interesting sounds from traditional folkloric Colombian music to the latest popular international styles, every once and a while they would put out a novelty record, perhaps to exploit a passing fad, and at times the label would green-light something strange or even outlandish. Many of those left-field releases have their merits and have subsequently become collectors&#8217; items over the years. One such case is the mysterious Los Picapiedra (which translates as The Flintstones, no doubt inspired by the 1960s American sitcom cartoon show), a short-lived studio group with one album to their name, Kabwl&uacute; (an unpronounceable, invented caveman term that is also untranslatable, but seems to have been the &#8216;traditional rhythm&#8217; of Los Picapiedra&#8217;s &#8216;homeland&#8217;). What is interesting about the record is that it is very musically diverse; not only are there the requisite genres that could be found on similar Colombian teenage-oriented groups&#8217; records of the time, such as cumbia, gaita, rock, twist and pachanga, but there is also a smattering of surf, doo-wop, Latin jazz, guajira, ska, and calypso. But what makes the whole thing so special is the odd, off-kilter arrangements, spooky tunings, rudimentary clanging percussion, invented &#8216;cave&#8217; language, prominent twanging electric guitar and many zany sound effects. Much like its namesake American cartoon The Flintstones, Kabwl&uacute; trades in creative anachronism, mixing &#8216;folkloric&#8217; and &#8216;modern&#8217; elements with calculated &#8216;caveman&#8217; humor that works on many different levels. For instance the title tune seems to have been inspired by the pachanga craze and recalls the vibe of Ray Barretto&#8217;s massive 1962 hit, &#8216;El Watusi&#8217;, but it has a certain joyful simplicity and rock-solid underpinning that elevates it beyond mere novelty or exploitation &mdash; and argues for its timely reissue for today&#8217;s audience. The band was a studio invention that had no major significance in Medellin&#8217;s live music activity. However, several of Los Picapiedra&#8217;s songs were very popular in Colombia as well as Venezuela and especially in the &#8216;rebajada&#8217; (slowed down) version as played by the &#8216;sonidero&#8217; sound system DJs in Mexico, such as La Hossa. Pablo E Yglesias (aka DJ Bongohead, Peace &#038; Rhythm) Additional research by Luis Daniel Vega<\/p>\n","protected":false},"excerpt":{"rendered":"<p>First ever reissue of Kabwl&uacute;, a very hard-to-find album released by Discos Fuentes in 1965. The mysterious Los Picapiedra (which translates as The Flintstones, inspired by the 1960s American cartoon show), was a short-lived studio group with one album to their name, Kabwl&uacute;, mixing &#8216;folkloric&#8217; and &#8216;modern&#8217; elements with calculated &#8216;caveman&#8217; humor. It is very musically diverse; not only are there the requisite genres that could be found on similar Colombian teenage-oriented groups&#8217; records of the time, such as cumbia, gaita, rock, twist and pachanga, but there is also a smattering of surf, doo-wop, Latin jazz, guajira, ska, and calypso. But what makes the whole thing so special is the odd, off-kilter arrangements, spooky tunings, rudimentary clanging percussion, invented &#8216;cave&#8217; language, prominent twanging electric guitar and many zany sound effects. Several of Los Picapiedra&#8217;s songs became very popular in Colombia as well as Venezuela and especially in the &#8216;rebajada&#8217; (slowed down) version as played by the &#8216;sonidero&#8217; sound system DJs in Mexico, such as La Hossa. Presented in its original artwork and pressed on 180g vinyl. Part of Vampisoul&#8217;s reissue series of classic Fuentes LPs.<\/p>\n","protected":false},"featured_media":24612,"template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[195,197,199,193,204,206],"product_tag":[],"class_list":{"0":"post-43608","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-colombia-en","7":"product_cat-cumbia-en","8":"product_cat-jazz-en-3","9":"product_cat-latin-en","10":"product_cat-pop-en-2","11":"product_cat-salsa-en","12":"product_shipping_class-default","13":"pa_formato-lp-en","15":"first","16":"outofstock","17":"sold-individually","18":"purchasable","19":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/munster-records.com\/en\/wp-json\/wp\/v2\/product\/43608","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/munster-records.com\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/munster-records.com\/en\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/munster-records.com\/en\/wp-json\/wp\/v2\/media\/24612"}],"wp:attachment":[{"href":"https:\/\/munster-records.com\/en\/wp-json\/wp\/v2\/media?parent=43608"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/munster-records.com\/en\/wp-json\/wp\/v2\/product_brand?post=43608"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/munster-records.com\/en\/wp-json\/wp\/v2\/product_cat?post=43608"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/munster-records.com\/en\/wp-json\/wp\/v2\/product_tag?post=43608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}