Antihéroes is yet another mystery of the Argentine musical underground scene of the 80s.

Back in the ‘70s, Valentín Alsina, Buenos Aires province. Jurek and Marcelo, children of Polish immigrants, meet at a religious school. Fast forward a few years and Marcelo is given a keyboard and meets Wojtek, another Polish boy with hunger for rock and Siekiera and Brigada Krysys records. They then decide to start a dark wave band. Jurek playing a single drum and a cymbal with an umbrella as stand, Marcelo on keyboards and Wojtek on bass, it’s all set to go! Julio Torres became the guitarist and, answering an ad on a magazine, a singer turned up: the charismatic teenage poet Mónica Vidal. After three rehearsal sessions at a metal workshop, they made their first public appearance in 1984, at the basement of the Manzana de las Luces, an almost completely abandoned old 17^th century convent in the San Telmo neighborhood. A young and experienced guitarist, Beto Morales, was in the audience and he’d later join the band after Julio quit.

They recorded these songs in 1985. The session took place at a studio owned by a singer who was kind of popular in the ‘70s, Silvestre, and had another big name of the Argentine mainstream music industry at the mixing desk, Francis Smith. ‘Algo nos sucede’ and ‘Presentes urbanizados’ sound dark, ominous and ahead of their time, sporting varied influences like Pink Floyd, Joy Division or Siouxsie & The Banshees. Neither Silvestre nor Smith must have understood what those rough, antisocial, black-clad young men who despised “commercial” wanted, but let's admit that their work was effective. Despite this, producers and managers of the time rejected them. The market asked for cumbia, light pop or “something to dance to.” They continued their short career in tumultuous punk festivals and legendary Buenos Aires rock venues like El Parakultural or Cemento.

In 1986 Mónica and Beto left to form El lado salvaje. At the end of 1989, Vidal and his partner Pablo Esau, drummer of Los Pillos, tragically and mysteriously disappeared on a flight between Bolivia and Brazil and were never heard from again.

Antihéroes continued with other musicians well into the 90s. Their only existing recording, at the peak of their career, is this single that is finally released forty years after its recording thanks to the collaborative work between Twistin' Bones and Munster Records. The songs keep all their magic and spell intact beyond the passing of time and unfair oblivion.