Modern Clics (also known as Modern Clix) is the second studio album by Argentine singer and multi-instrumentalist Charly García as a solo artist, released on November 5, 1983, by SG Discos.

Pedro Aznar, with whom Charly had previously worked in the band Serú Girán (between 1978 and 1981), participated in the album.

Some consider this album to be the best work of Charly García’s career and one of the best albums in Argentine rock, which includes references to the Argentine civic-military dictatorship (1976-1983) that lasted until shortly before the album’s release, with lyrics characterized by their sarcastic and humorous tone. It was a pivotal work in consolidating the modern trends that would define Argentine rock during the 1980s and beyond. The album’s title comes from the cover art.

The album was self-produced and composed by García and was recorded almost entirely at Electric Lady Studios in New York City over a short period. García hired Pedro Aznar (fretless bass) and Casey Scheuerell (drums). García initially tried out another drummer to record the entire album; however, he wasn’t satisfied with the sound and instead used a Roland TR 808 programmable drum kit, the same one he had previously used on the album Yendo de la cama al living. He decided to use it for the entire production, almost completely replacing the drummer’s role. Uberto Sagramoso took the photographs for the cover, which were taken from Richard Hambleton’s public art in New York. The music is primarily new wave-oriented, but some songs also incorporate elements of various pop subgenres.

Generally speaking, the album received critical acclaim, although initially several critics downplayed the impact, composition, and scope of both the album and its performer in his solo career. It appeared on several lists of the best Latin American albums of all time, including those by Al Borde and Rolling Stone magazines. Two singles were released to promote the album, after which García presented it at Luna Park Stadium in Buenos Aires.